In no particular order. Someday my thoughts may be codified. That work will fall to scholars and disciples.
1. Every person, place and situation has the potential to participate in paradox. There is a correlation between level of participation in paradox and the interestingness of that particular person, place or situation; and, thus, its utility to literary intentions. (A Midlife Crisis)
2. I believe that you should always tell the truth when you write - except for when it behooves you to do the opposite. (A Midlife Crisis)
3. Language is much stretchier than it first appears. There is also a safety mechanism embedded in language. It can be remade after you find the point where the stretchy-ness ends and breakage begins. (Tenents Homepage)
4. Classtegorification, being a perpetual process, creates the necessary conditions for connections to be made that surprise and reveal glimpses of the absolute, spiritual truth. Through continual cross-classification, categorization and recategorization processes these surprising and insightful truths come about via juxtaposition. This is how the mind works, through associations it enlarges and enriches itself. Art is thus continuing in its long tradition of imitating life. It is the expressed goal of collage as literature to recreate the truths not as they are or as they appear, but as they manifest themselves in the human experience. All three of these are different and it would take too much time to explore them all properly. Through intensive, hyper-focused portrayals of the human experience the successful literary collage creates juxtaposing realities that are so true that they cannot not exist - thus, reflecting the essential fractured nature of alienation in this unprecedentedly connected age. Ha! How's that for arrogant? (Classtegorification)
5. Method writing -